(TL;DR: this is a blog post about the process of writing my guide to SDF fonts.)
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，更多细节参见雷电模拟器官方版本下载
可以断定，这风来自宇宙，来自地球四季轮替的铁律，尽管它悄然而至，却也挟带了无限辽远的信息：那是冰层坼裂的轰鸣，是万千根须在黑暗中摸索的窸窣，是无数生命在挣脱与拥抱之间那甜蜜的喘息。这春风，哪里仅是地理上的气流？它分明是时间本身最温柔的手，在徐徐推动着生的轮回。它将逝去的冬，酿成滋养新生的腐殖；它将枯寂的枝条，吹成待放的蓓蕾。在这永不停歇的循环中，生老病死的面目似乎并不那么可怖，它成了一个必要的休止符，一次深长的呼吸，一切的一切，无非都是为了下一句更嘹亮的歌唱。
Another way to look at our threshold matrix is as a kind of probability matrix. Instead of offsetting the input pixel by the value given in the threshold matrix, we can instead use the value to sample from the cumulative probability of possible candidate colours, where each colour is assigned a probability or weight . Each colour’s weight represents it’s proportional contribution to the input colour. Colours with greater weight are then more likely to be picked for a given pixel and vice-versa, such that the local average for a given region should converge to that of the original input value. We can call this the N-candidate approach to palette dithering.
Readers respond to an interview with Beth Gardiner on how the oil industry is pumping billions more into plastics